Poppies and violets & the thrill of a palette knife

Violets & Poppies!! Who doesn’t love the vibrant reds and mystical purples of these majestic flowers? These small floral canvases were my very first attempts at working with a palette knife & acrylic paints. Let me explain a little about the symbolism of violets & poppies, and how I created the artworks.

Violets

Violets are linked to mystic awareness, meditation and spirituality. Their symbolism reflects the Virgin Mary’s humble and modest qualities. Victorians included these blooms in bouquets, to convey faithfulness and everlasting love.

Creating ‘Violets’

Painting of two violet flowers using acrylic paints and a palette knife

Violets, 2019, Starry-eyed Mermaid, acrylics on box canvas, 15x15cm

Creating ‘Violets‘ involved a loose and liberal paint technique. Yellows and blues were swirled into a rough background layer of white paint, using the palette knife to create texture. The blues and violets were applied in single strokes, scraping the palette knife into the canvas. The paint was teased and blended into an impressionistic floral. Once the paint had dried, I added scrapes of gold.

Poppies

Poppies have been used as a symbol of sleep, as the opium extracted from the flower is a sedative. The blood-red bloom has been a symbol of remembrance of war for over a hundred years. It also embodies the wish for hope and peace in the aftermath of the First World War. John McCrae was a Lieutenant Colonel during the First World War. He wrote ‘Flanders Fields’. It is read at the Remembrance Ceremony every year. Here is the poem and its backstory.

Creating ‘Two Poppies

acrylic art of two poppies

Two Poppies, 2019, Starry-eyed Mermaid, acrylics on box canvas, 15x15cm

Creating ‘Two Poppies‘ involved a slightly different painting process. A small palette knife was used on the white background to create a subtle texture. It was left until the background was completely dry. I then used the palettes knife to create each petal, in a single, broad swish of scarlet acrylic. The movement is butter lavished on a slice of bread! The secret is to load the knife with the correct amount of paint. Too little will create a sparse effect, too much will be difficult to work with. When the scarlet had dried, glints of gold added a hint of regality. The stems were trails of green paint using the side of the palette knife.

Over to you…

What is your preferred painting medium? Have you got any techniques you enjoy? Have YOU created any palette knife art?

Would love to hear your ideas and inspirations. Have a great day! Hope it’s full of paint, mess and artistic abandon!

Creating Habanera: A Journey of Colour and Chaos

I had such a fabulous time creating this spunky artwork – Habanera – inspired by the opera Carmen. Lashings and lashings of acrylics were smoothed and teased over a 40″ x 30″ stretched canvas, using a palette knife. The red paint was particularly wonderful: thick, buttery, vibrant, unapologetic! Worthy of Carmen, herself!

There is a twist to this story. I brought the canvas back from the studio space. I carelessly abandoned it propped up against the bookcase in the living room. A few nights went by and I hadn’t bothered to move it. BIG MISTAKE!!! My autistic teen, known for Jurassic-level meltdowns, felt triggered. His arm reacted by hurling a heavy mug STRRAAAIIGGHHHTTTT through the canvas!!! OMG!! I have never felt pain like that in my adult life!! Ooops!! *Insert expletives! Hee hee!

All came good, in the end. I managed to carefully cut the canvas fabric from the frame. It had split into two halves, which made the most wonderful diptych! I had the two sections mounted onto backboards, and framed, so they hung level. They looked even better than the original canvas (in its entirety).

A local lady fell in love with the diptych, and hangs pride of place in her home! I was sad to part with it, to be honest, but to know someone else is loving it as much as I did, is reward enough!

©2024 Sarah Drury, Habanera, acrylics on canvas, 40″ x 30″.

Fizzy Poppies!

I have been searching for a studio space for the last four years, as I had to work in my living room and as a consequence, my sofa is covered in splatters of acrylic paint!! But now I have the luxury of a 3-metre wall to work on! I can splatter and splot to my heart’s content! The studio space is in a fab place called ‘Fountain Arts’ and is a little community of artists. There are 9 artists or crafters with spaces, and with them being open plan, it is great to chat to others. But when I am alone, I get out my bluetooth speaker, hook it up to my phone, put some happy music on and paint away to my hearts content! (I dance too, but shhhhhh!!)

I painted my first larger acrylic floral before Christmas and wow, what a liberating experience to be let loose with the acrylics and SPACE!!! I abandoned the reference pics and just went with the flow! I let my spirit free and worked intuitively, letting my soul make the creative decisions!

‘Fizzy Poppies’ evolved gradually over the space of a few weeks!

1st stage: I painted a weak wash with watered down acrylics. This provided the base layer for the rest of the work:

2nd Stage: I painted on a white background at first, defining the flowers and vase using negative space. I then added some yellow, and the green base. It looks a little patchy! That green is so intense!!

Stage 3: At this point, I had a total change of direction and was driven to use a palette knife to add red petals, which became poppies! I used a sharp pencil and scribbled all over the painting, gouging into the wet paint. My son joined in! It was great fun!! I could have tidied up the patchy background and this would have been a good artwork. But I got caught in the moment, and I needed lots of red and a sense of movement:

I made the vase edges less defined, then used a black oil pastel to define the poppies and add some shadows. I scribbled round and round each poppy with a pencil and the tip of a palette knife, which was unabashedly hedonistic! But I love the textures. Gold paint was scraped onto the canvas using a palette knife. OOooo I just LOVE palette knives!!! Such fun! I love big brushes, too!!

To add the final touches, I used thinned-down white acrylic and a brush for my very favourite part of my ‘artistry’! The SPLATTERS!!!!! Yay! I get really physical, hurling the paint across the painting! i do think it gives a sense of movement though.

Hey Presto….’Fizzy Poppies’ had emerged in a whirl of evolution!!

So there you have it!! The evolution of Fizzy Poppies! I am going to enter it into the Ferens Open Exhibition 2024 (the Ferens Art Gallery in Hull). Last year, my watercolour painting, ‘Cluckers’ was chosen for the exhibition. I used to visit the Ferens very often with Grandad Pett and never would have believed I would have work displayed in there. Honoured and privileged!

You can find me on Instagram: @sarahdruryart and on Facebook: Sarah Drury Art. And I can be contacted though the contact page on this website.

Fizzy Poppies, acrylics on canvas, 40×32″ © 2024 Sarah Drury